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A bulletin from the Media & Sport Group at DLA Piper

 

 

shutterstock_2078525.jpg FILM

 

 

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"A future for British film - it begins with the audience" - The independent Film Policy Review Panel has published its review of British film policy, with recommendations designed to ensure British film continues to play a full role in driving growth.

 

In May 2011, Minister for the Creative Industries, Ed Vaizey, appointed an independent review panel chaired by former Secretary of State for Culture, Media and Sport, Lord Chris Smith, to review Britain's film policy. The main objective of the review was to identify the barriers to growth and build a more successful British film industry (please see the May 2011 edition of Media Intelligence for more details here).

On 16 January 2012, "A Future for British Film - it begins with the audience" was published by Lord Chris Smith, making a total of 56 recommendations to Government, industry and the British Film Institute ("BFI").

As the title suggests, the audience takes priority in the review and the recommendations are intended to increase audience choice and grow the demand for British films in the UK and overseas. They include:

  • BFI and industry partners developing and launching a British film brand to raise awareness and expectation;
  • the establishment of a new programme introducing film education in all schools, with the aim of increasing audience numbers, understanding and appreciation of different kinds of films and stimulating creativity;
  • the introduction of financial incentives for producers and distributors, such as making public funding available to joint ventures between companies in these sectors. This will lead to alignment of the sectors and the sharing of valuable commercial knowledge, a long-term benefit of the whole industry; and
  • reducing online copyright infringement by implementing key provisions of the Digital Economy Act to allow rights holders to compel Internet Service Providers to tackle individuals who repeatedly infringe copyright online.

The Government and the BFI are set to respond in full to the recommendations in Spring 2012.

Gambling.jpg GAMING AND BETTING

 

The United States issues its long awaited opinion on the Wire Act 1961

The Department of Justice has published a landmark legal opinion that could pave the way for internet gambling in the United States.

 

On 20 September 2011, the Department of Justice's Office of Legal Counsel reached its decision on whether the proposals by the states of Illinois and New York to use the internet and out-of-state transaction processors to sell lottery tickets to in-state citizens would violate the Wire Act 1961 (the "Wire Act"). The Wire Act prohibits wagering over telecommunications systems that cross state or national borders, therefore preventing use of the internet by states to sell lottery tickets even to adults within their own borders.


In 2009 and 2010, New York and Illinois requested clarification of the Wire Act provisions due to New York Lottery officials' plans for extension of its current online lottery and research by the state of Illinois that indicated that online sales could drive up participation in the Illinois Lottery. Following consideration of the Criminal Division's views and letters from both New York and Illinois, the DoJ concluded that "interstate transmissions of wire communications that do not relate to a 'sporting event or contest,' ... fall outside of the reach of the Wire Act".

 

 

Despite specifically dealing with lottery tickets, the opinion, which was only made public on 23 December 2011, has opened the door to states to allow for internet poker and other forms of online betting that do not involve sports as long as the gambling operator and customer are within the state's jurisdiction. The opinion differs from the Department of Justice's longstanding position that all forms of online gambling in the United States are illegal, with the only exception being that sports betting is still prohibited under federal law.

 

 

Some groups note that the opinion's clearance for states to govern online betting within their own jurisdiction is only a starting point in the transformation of the US position on online gambling. The American Gaming Association, the representative of the commercial casino entertainment industry, insisted there is a need for federal law as the opinion "validates the urgent need for federal legislation to curb what will not be a proliferation of domestic and foreign, unlicensed and unregulated gaming websites without consistent regulatory standards and safeguards against fraud, underage gambling and money laundering".

INTERNET AND DIGITAL MEDIA

 

 

 

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European Commission adopts Communication on e-commerce - The European Commission has published a Communication on e-commerce and other online services entitled "A coherent framework to build trust in the Digital single market for e-commerce and online services".

 

On 11 January 2012 the Commission adopted, as part of the Single Market Act and the Digital Agenda, a Communication presenting 16 initiatives with the main aim of doubling the volume of e-commerce in Europe by 2015. In a press release announcing the Communication, the Commission outlined the potential economic and social benefits of the development of e-commerce and other online services, including the creation of jobs and offering better choice for consumers. However, it also recognises that there are many obstacles preventing both consumers and businesses being able to fully embrace online services.


The Communication proposes an action plan based on five top priorities: developing cross-border access to online products and content, improving operator information and consumer protection, introducing reliable and efficient pay and delivery systems, combating abuse and resolving disputes more effectively and deploying high-speed networks. Its aim is to "create an environment more likely to foster a dynamic Digital Single Market by tackling the problems in its path, while promoting investment in wireless connectivity and new-generation fixed infrastructure and supporting the development of cloud computing".


In order to meet the five priorities, the Communication sets out 16 main actions to be undertaken. The actions include:

  • the adoption of a "European Consumer Agenda" in 2012;
  • guaranteeing an appropriate level of information and customer care online; and
  • the further development of the market for payments by card, Internet or mobile phones on the basis of the responses to a Green Paper adopted on 11 January 2011 entitled "Towards an integrated European market for card, internet and mobile payments".

The Communication is accompanied by two staff working papers. "Working paper: Online services, including e-commerce, in the Single Market" analyses the factors hindering the development of e-commerce and evaluates the E-Commerce Directive and "Working paper: Bringing e-commerce benefits to consumers" analyses those obstacles that have been identified as particularly relevant for e-commerce in products.


For the full text of the Communication please see here.

 

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ICO issues updated cookie advice - With the May 2012 deadline for cookie compliance fast approaching, the Information Commissioner's Office has issued updated guidance on how organisations should approach the new law, while Europe suggests that national authorities are not being consistent in their guidance.

The revised law on cookies was implemented in the UK on 26 May 2011 to comply with amendments to the European E-Privacy Directive. At the time, the ICO announced a one year grace period, up to May 2012, for organisations to become compliant and the ICO issued limited guidance on how this might be achieved. In December 2011 the ICO updated this guidance to provide more detail and practical examples of how organisations could address their obligations under the new law.


Since the Privacy and Electronic Communications Regulations were introduced in the UK in 2003, organisations have been obliged to give website users clear and comprehensive information about cookies and why they are used. The new law goes further and requires organisations to gain user consent (or "opt-in") to the use of cookies on websites they visit. The updated guidance repeats the recommended steps first set out in the initial guidance on how organisations should be approaching compliance, namely:

 

1) checking what types of cookies are used on a site and how;


2) assessing how intrusive of user privacy they are; and


3) deciding how best to obtain consent in each case.


The updated guidance makes it clear that a key focus of the ICO is creating a well-informed user so that a shared understanding of what cookies are and how they work will develop between website owners and users. In the long run it is hoped that well informed users will make gaining consent easier. Another long-term goal is the development of web browsers that deal with the consent requirement but considering how long this could take to develop and roll-out to users, a browser solution is not likely to assist compliance in the short term. Industry has been trying to get to grips with the new requirements for some time and the International Chamber of Commerce is working on a cookie compliance guide to help organisations to deal with their obligations. This guide should be published in the coming weeks. The European Advertising Standards Alliance and the Internet Advertising Bureau of Europe have also been working towards a solution for informing users about advertising cookies based on a recognisable icon that signals to users that certain types of cookies are being used which will enable advertisers to target them for behavioural advertising.


Although the grace period has a number of months left to run, the ICO's updated guidance confirms that if it receives a complaint about an organisation during this lead in period, the ICO will investigate and will expect the organisation to be able to show plans and progress towards compliance, as well as a timeframe within which compliance will be achieved.


To view the updated guidance from the ICO, please click here.


Meanwhile, the European Commissioner for the Digital Agenda, Neelie Kroes has noted that the guidance provided by national authorities, such as the ICO, and the lack of guidance from other national authorities is leading to "different interpretations, sometimes, or even confusion about what the rules mean and how to comply with them". In a blog entry on 20 January 2012, Ms Kroes noted that tools and services that have been developing to deal with the issue of cookie consent are also based on different interpretations of the law and the "diversity of resulting approaches" is confusing to website users. Ms Kroes has suggested that a global "Do-Not-Track" (DNT) standard could be a good way for organisations to comply with the law. However, a DNT standard is not possible with current browser settings, so is not a feasible approach for organisations looking to become compliant in the immediate future.

 

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Company sues ex-employee over Twitter followers - A Company has sued its former employee for £217,000, claiming ownership of the latter's list of Twitter followers as it constitutes a "customer database".

Noah Kravitz posted Twitter messages and amassed 17,000 followers on behalf of his employer, PhoneDog.com ("PhoneDog"). In October 2011 Kravitz left the interactive mobile news and review website, renamed the Twitter account and took all of its followers with him despite being asked by his former employer to return the account.


PhoneDog sued Kravitz in a federal court for misappropriation of trade secrets, interference with economic advantage and conversion. In December 2011, in response to a motion to dismiss filed by Kravitz, the court ruled PhoneDog had properly pleaded its trade secret and conversion claims.


PhoneDog claims that Kravitz wrongly converted the account to his own use and misappropriated company trade secrets by continuing to use the account. The list of Twitter followers on the account is allegedly similar to a customer database. PhoneDog is seeking damages of $2.50 a month per follower for eight months, amounting to a total of $340,000 (£217,000). PhoneDog's valuation of $2.50 a month is according to "industry standards".


The dispute has highlighted some key issues for businesses that use websites such as Facebook and Twitter. Such businesses should have clear policies governing the ownership and use of social media accounts, with the employment contract itself setting out who owns the account. Where employees mix business contacts with personal ones on sites such as LinkedIn, there is also a need to clarify who owns what.


The outcome of this case will be keenly anticipated and may help companies to decide whether embracing the use of social media to further their business interests is a risk worth taking.


For more discussion please see a DLA Piper Intellectual Property and Technology Alert here.

 

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Websites protest against SOPA and PIPA - Several prominent websites staged a 24 hour blackout protest against proposed US anti-piracy laws on 18 January 2011.

The draft Stop Online Piracy Act ("SOPA") and Protect Intellectual Property Act ("PIPA") are US House of Representative and House of Senate bills which aim to stop access to websites, especially those hosted outside the US, that sell or distribute copyright protected material and counterfeit goods. Opponents of SOPA and PIP argue that they will inhibit the free and open internet.


The legislation takes the fight against piracy further than the Digital Millennium Copyright Act as the latter focuses on removal of the specific infringing material rather than targeting the site hosting such material. SOPA will authorise the US Department of Justice to seek court orders requiring a service provider to "take technically feasible and reasonable measures designed to prevent access by its subscribers located within the United States to the foreign infringing site" (SOPA section 102 (c) (2) (A) (i)).


Content providers such as the Motion Picture Association of America and CBS Corporation, along with business representatives such as the US Chamber of Commerce support the legislation, arguing that growing internet piracy threatens innovation and jobs in the creative industries. Internet companies such as Wikipedia and Reddit, however, strongly oppose the legislation. They argue that not only will the legislation inhibit a free and open internet but it will also adversely affect the corporate interests of start-ups which will be unable to meet the costs of complying with the requirements set out in the bills.


Reddit and Wikipedia are amongst the websites that staged a 24-hour blackout on 18 January 2011 in protest against the legislation. Google expressed its solidarity with the protestors by displaying messages reading "Tell Congress: Please don't censor the web" linking to a petition against SOPA and PIPA.


Following the protests, certain levels of support for the legislation appear to have dwindled, with 12 of the 40 original co-sponsors of PIPA withdrew their backing and Google reporting that it collected 7 million signatures from the US for its petition. Subsequntly, Senate Majority Leader Harry Reid announced the postponement of the procedural vote on PIPA and House Judiciary Committee Chairman Lamar Smith announced the postponement of the Judiciary Committee's consideration of SOPA.

 

MUSIC

 

 

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Live music red tape to be relaxed - The private member's bill making it easier for small venues to host live music has been cleared in the House of Commons.

 

The Live Music Bill (the "Bill") passed its Third Reading unopposed in the House of Commons on the 20 January 2012. The Bill, launched by Lord Clement Jones and presented in the Commons by Don Foster MP, will make changes to the Licensing Act 2003, removing the bureaucratic hurdles faced by small venues when attempting to host live music gigs.


Under the Bill, a licence will no longer be required to hold unamplified live music events taking place between 08:30 and 23:00, or to hold amplified live music events taking place between the same times where the audience is fewer than 200 people. These simpler licensing rules will hopefully encourage small venues such as pubs, restaurants and community halls to host more live music events, benefiting not only the venues themselves but also the British music industry as a whole.


The Bill will now go to the House of Lords on 10 February 2012 for final approval before proceeding to Royal Assent.

 

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Peter Frampton is the latest artist to sue for unpaid digital music royalties - Peter Frampton has filed a lawsuit against Universal Music Group in respect of unpaid music royalties.

 

Peter Frampton filed a suit on 23 December 2011 against record label Universal Music for half a million pounds worth of unpaid music royalties and unspecified damages, making him the latest artist to make a claim against a record label in respect of digital royalties.


In 1998 Frampton contracted with A&M Records, a label owned by Universal Music, to receive a 50% royalty for the use of any "licensed" music. The lawsuit claims that the company failed to pay a 50% royalty on the digital sales of Frampton's music and Universal Music "systematically and knowingly" breached the contract.


This case adds to the long-running dispute as to how revenue in sales of digital music should be shared between artists and record labels, with some artists arguing that due to less expenses being incurred in relation to packaging and shipping, they are entitled to larger royalty payments commonly found in deals relating to the licensing of music for films or TV.


In 2010, in the F.B.T Productions v Aftermath Records case, the Ninth Circuit Court of Appeals ("Ninth Circuit") ruled in favour of the rapper Eminem and his producers, F.B.T, finding that, under their agreement with Aftermath, digital music should be treated as a license subject to a 50% royalty payment. The Ninth Circuit relied on federal copyright law to determine that Aftermath's relationship with digital retailers such as iTunes involved a license as opposed to a record sale. As their agreement only permitted third parties to use their sound recordings to sell permanent downloads and mastertones, it was more akin to a license than a sale as, under federal copyright law, the former involves the copyright owner retaining title and limiting the use to which the material may be put.


Frampton and other artists will be hoping that the Eminem case sets a strong precedent for courts to follow.

 

PUBLISHING

 

 

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HarperCollins sue Open Road for copyright infringement - HarperCollins Publishers LLC has filed a law suit against digital publisher Open Road Integrated Media for copyright infringement in relation to the e-book rights to the children's book, 'Julie of the Wolves'.

 

HarperCollins filed a lawsuit against Open Road on 23 December 2011 in the federal court of New York. HarperCollins claims its original contract with Jean Craighead George, the author of 'Julie of the Wolves', gives it the exclusive right to publish the Work in any book format, including "computer, computer-stored, mechanical or other electronic means now known or hereafter invented". Open Road published the Work in e-book form in 2011 and, in response to the HarperCollins lawsuit, claims to have been granted the e-book rights by the author.


HarperCollins alleges that Open Road's e-book edition is not only directly competitive with its hardcover and paperback editions but it also hinders HarperCollins' own plans to publish an e-book edition; "Open Road's unauthorized reproduction and public distribution of 'Julie of the Wolves' by electronic means devalues HarperCollins' exclusive rights to publish the Work and threatens to divert and is diverting sales of the Work from HarperCollins." The lawsuit will deal with a crucial question for publishers as to who owns the digital rights in books that were originally published subject to a contract written before the digital age.

 

 

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Marvel wins dispute over ownership of Ghost Rider rights - A federal judge has ruled against the creator of Ghost Rider in a battle for ownership rights of the character, ruling that he gave up all such rights to his employer, Marvel Entertainment LLC.

 

Gary Friedrich originally filed the lawsuit in 2007, when the film "Ghost Rider" was released, claiming to have created the character Johnny Blaze and his alter ego Ghost Rider in 1968 and seeking to assert his rights and receive compensation for the use of the character in the movie and various promotional products.


Notwithstanding her view that the character was conceived by Friedrich, on 28 December 2011 the U.S. District Judge, Judge Katherine Forrest, rejected Friedrich's claim, ruling that he had given up all ownership rights when he cashed cheques which were subject to the condition that he relinquished all of his rights to the predecessor companies of Marvel. Friedrich had also signed an agreement in 1978 giving up his rights in return for freelance work.


Judge Forrest's finding that "the law is clear that when an individual endorses a check subject to a condition, he accepts that condition" meant there was no need to determine issues such as whether Marvel had hired Friedrich specifically to create the character (which would have resulted in the rights automatically belonging to Marvel).

 

SPORT

 

 

 

 

Liverpool decide not to appeal Suarez ban

Liverpool FC have opted not to appeal the eight-match ban handed to its striker Luis Suarez by the FA for the racial abuse of Manchester United's Patrice Evra.

 

Following the publication of a 115-page report by the Independent Regulatory Commission of The FA ("the Commission"), Liverpool have decided to accept the eight-game ban and £40,000 fine imposed on Suarez. The report outlined the reasons for the length of the ban and detailed the conversation between the two players, citing the number of times the racially abusive word was used and doubts over the reliability of Suarez's evidence as aggravating factors.


The Commission found Suarez guilty of misconduct contrary to FA Rule E3(1), which states: "A Participant shall at all times act in the best interests of the game and shall not act in any manner which is improper or brings the game into disrepute or use any one, or a combination of, violent conduct, serious foul play, threatening, abusive, indecent or insulting words or behaviour". Furthermore, Rule E3(2) requires a Regulatory Commission to consider the imposition of an increased sanction "in the event of any breach of Rule E3(1) including a reference to any one or more of a person's ethnic origin, colour, race, nationality, faith, gender, sexual orientation or disability (an "aggravating factor")".

 

TELEVISION AND BROADCASTING

 

 

 

 

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Ofcom makes ruling on the determination of "on-demand programme services" - Ofcom rules in favour of the Authority for Television on Demand ("ATVOD") and its determination that three services constituted "on-demand programme services" for the purposes of Part 4A of the Communications Act 2003.

On 6 July 2011, ATVOD, the UK regulator of video-on-demand services, issued identical determinations that three services, "Nickelodeon content on Virgin Media", "Comedy Central content on Virgin Media" and "MTV content on Virgin Media" (each a "Service") were "on-demand programme services" ("ODPS"), which are regulated under the recently-introduced statutory regime in Part 4A of the Act. The provider of an ODPS is subject to a requirement to notify ATVOD and pay a fee, in addition to ensuring the ODPS meets certain regulatory requirements. A service is an ODPS if it satisfies section 368A of the Act, the key criterion for these purposes being that there is a "person" who has editorial responsibility for it (368A(1)(c)) and it is made available by that "person" for use by members of the public (368(1)(d)).


Nickelodeon, Paramount (owner of the Comedy Central content) and MTV (the "Appellants") appealed to Ofcom to quash ATVOD's decision.


ATVOD relied on the "clear contractual arrangements" between each Appellant and Virgin Media to determine that each Appellant had editorial responsibility for the applicable Service that included content from that Appellant. It argued that "the Appellant had agreed it is the provider of the ODPS comprising the Appellant's content under the Agreement and has "editorial responsibility" over the same, save in respect of any insertions or advertising placed by Virgin Media in or around the content."


On appeal to Ofcom, each Appellant argued that it is not the "person" who makes the applicable Service available for use by members of the public, nor is it the "person" who has editorial responsibility for that Service. Each Appellant argued that Virgin Media makes the applicable Service available to the public in that it "controls restricted access to its service, enters legal contracts with consumers granting access, collects subscription fees... and provides customer support". Regarding the editorial responsibility issue, ATVOD's reliance on the agreement between Appellant and Virgin Media alone "is a fabricated and arbitrary standard that does not appear in the Act."


Having concluded that both the Appellants and Virgin Media made the Services available for use by members of the public, Ofcom's ruling as to which entity had editorial responsibility was crucial. Ofcom concluded that the agreements included a clear statement as the intention of the parties regarding the allocation of "editorial responsibility" and therefore the Appellants were in "the unattractive position of asking Ofcom effectively to strike out a clause in a contract which they, as sophisticated commercial broadcasters, appear freely to have agreed". For this reason, amongst others, Ofcom upheld ATVOD's determinations in relation to all three Services.

 

 

 

DLA PIPER NEWS

 

 

 

FORTHCOMING EVENTS

 

 

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DLA Piper secures 5 nominations for the Legal Business Awards - We are pleased to report that we have been shortlisted for TMT Team of the Year at the Legal Business Awards to be held on 9 February.

 

 

RECENT EVENTS

 

 

 

 

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MIDEM music conference and the International Association of Entertainment Lawyers AGM - Duncan Calow and Lee McGuirk from DLA Piper's Media team attended the annual MIDEM music conference and the International Association of Entertainment Lawyers AGM in Cannes from 27 to 31 January 2012.

 

 

 

Posted by Gianluigi Marino on Monday 06 Feb 2012
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